Product News | October 11, 2021

In-store vs. online retail media: How each one impacts the consumer shopping experience

There’s been a lot of chatter about Amazon’s ad-heavy digital storefront in the past few months, some of it somewhat negative. While the e-commerce giant has historically been praised for being customer-centric, thanks in large part to its relevance and review-based product search rankings, things seem to be changing. If you try searching for a product on Amazon these days, the first page of search results will typically comprise nine sponsored listings, according to a study conducted by data firm Profitero – double the number of ads used by Walmart or Target. 

It appears that the company’s fanatical focus on advertising has come at the expense of the consumer’s online shopping experience; now, if you want to make a worthwhile purchase, you’ll have to invest extra time and energy to evaluate brands and avoid potential traps. But as online retail media is facing mounting backlash, many advertisers are realizing that in-store retail media offers similar data-backed benefits—in addition to unique advantages all its own—without negatively impacting the consumer shopping experience. 

The rise of retail media: How Amazon is reshaping the advertising industry

Following in the footsteps of search and social as digital advertising’s third big wave, retail media has already established itself as a force to be reckoned with. A recent report by GroupM found that retail media already represents 10.7% of global ad spend and forecasts that this figure will grow 60% by 2027. Built on a foundation of valuable first-party purchase data, contextually relevant ad experiences, and closed-loop reporting, retail media gives consumer brands powerful new ways to reach shoppers in the environments where their customers are buying. Amazon is at the forefront of this trend; since launching its retail media network in 2012, it’s become the US’s third-largest digital ad platform, trailing only Google and Facebook. Today, retailers like Walmart, Target, and Sephora are following Amazon’s lead by trying to build a marketing business on the back of their existing sales platform.

READ ALSO: Retail media networks 101: Definition, best practices, and tips for building out a rock-solid RMN

The rise of retail media has been particularly prominent  in the US, where eMarketer estimates advertisers are on track to spend more than $37 billion on retail media networks this year, an increase of about a fifth from 2021. The same report found that while social media currently attracts more ad dollars (forecasting an annual haul of $65 billion), retail media is set to grow more than five times faster in 2022. Part of this growth can be attributed to the fact that many brands are shifting ad dollars they’d previously been spending with Facebook and other online media platforms to retailers—likely due to the fact retail media advertising stands invulnerable against the demise of third-party cookies, as well as increased scepticism regarding the efficacy of digital ads. According to the Financial Times, advertisers added $9.5 billion to Amazon’s global revenue in the third quarter of 2022, while ad revenues at Meta fell 3.7% during the same period. 

The impact of putting advertisers ahead of users

While Amazon’s focus on ad tech has certainly been making its shareholders happy—in 2021, the company collected $31 billion from ad sales alone—some industry analysts contend that it has come at the expense of customer-focused recommendations, personalization, and discovery. Many of the sponsored posts showing up in search results are so subtle they look like organic search results. And even when the sponsored posts showing up in search results contain a tiny disclaimer label, these kinds of ads can be misleading because they fill up spaces people assume to contain trustworthy, independent information. Many other online marketplaces and retailer apps are following suit. The result is that retail media advertising is now, in many cases, more akin to dramatically altering shelf placement for specific people than a way to inform and delight consumers or prioritize their shopping experience.

It’s not just consumers who are starting to question online retail media’s resulting impact. Marketers are increasingly asking retailers to prove how much value is actually added by such advertising—especially since it’s not unusual for them to pay at least ten times more for slots on retail media networks than they would for programmatically-sold online ads. Although the returns can ultimately be higher, one limitation of online retail media compared to online ads on the open web is that it’s easy for consumers to shop around to different retailers; there’s little friction standing in the way of a person seeing an ad in one online store and immediately hopping elsewhere to make a purchase. This means that even though online retail media has the potential to generate in-depth performance metrics for advertisers, the ability to track which ads lead to purchases can, in practice, prove to be more difficult than initially thought. 

But the online space is only one of the arenas worthy of attention for retail media advertising; retailers are also finding ever more creative ways to turn their physical properties into space they can sell to marketers. Examples of digitized retail media placements inside brick-and-mortar stores include smart screens near the entrance, video displays on shopping carts, and digital retail end cap displays. By incorporating in-store digital media, retailers are able to give their partner brands access to customers close to the point of purchase, whether a customer is shopping on their website or inside one of their physical locations. 

The advantages of in-store retail media vs. online retail media

To clarify, advertising, particularly retail media, isn’t necessarily bad. Done the right way, retail media can inform customers about new products and help new businesses get a foot in the door. In particular, in-store retail media has managed to avoid many of the drawbacks outlined above while offering the data- and placement-based benefits that attracted advertisers to retail media in the first place—including access to first-party shopper data, improved campaign targeting, and real-time reporting. 

READ ALSO: Why in-store signage advertising belongs in every brand’s retail media strategy

Aside from avoiding the negatives, in-store digital retail media offers some distinct advantages over online retail media for advertisers looking for new and effective ways to connect with their customers. Unlike online, the consumer is seeing the ad in a specific physical environment, and often the advertised product is already right in front of them. This enables brands to reach people who are ready to buy now and are in an environment that inherently introduces more friction to the price comparison process. Online, a different site is just a click away. In the real world, at best, consumers face a long walk to get to another store that may offer a slightly better price on whatever they want to buy.

In-store retail media also allows advertisers to connect with a larger audience since there are simply more people who shop in physical stores than online. While consumers relied more on e-commerce since the start of the pandemic, The NPD Group reported that 2022 was the first year since COVID that consumers expected to make more of their holiday purchases in-store (46%) than online (45%). And the return to brick-and-mortar stores is a trend that extends beyond holiday shopping; according to McKinsey, 20% of consumers say they are now doing all of their shopping in-store, while only 5% shop exclusively online.

And while online retail media ultimately winds up making the consumer experience worse—with online ad placements going to the highest bidder instead of delivering search results based on relevance—in-store retail media is still based on improving the in-person shopping experience. Retail media advertising in physical stores is ultimately only as disruptive as a consumer wants; the inventory displayed on the shelf is the same regardless of whether someone saw an ad or interacted with its corresponding QR code. At the same time, digital in-store signage opens up new storytelling possibilities through the use of dynamic content, offering brands unique opportunities to engage with customers and leave a lasting impression. 

READ ALSO: How to enhance the in-store retail experience with digital signage

In short, in-store retail media offers the best of both worlds: it’s a way for retailers to generate additional revenue from brands and a method of delivering a more information-rich and relevant in-store experience. 

Are you missing the most valuable piece of your retail media network marketing strategy?

Check out our eBook to learn key aspects every retailer should look for when adding in-store digital marketing to their retail media network.

Product News | October 11, 2021

Broadsign and Mirakl Ads Announce Strategic Partnership to Unify Online and In-Store Retail Media

Cannes, France – June 24, 2026 — At the 73rd Cannes Lions International Festival of Creativity, Mirakl, the Operating System for Intelligent Commerce, and Broadsign, the leading global platform for managing and monetising out-of-home (OOH) media, today announced a strategic partnership that bridges the gap between digital retail media channels and in-store advertising. The collaboration will enable more retailers and brands to activate, manage, and measure campaigns across the entire shopper journey through a single platform.

As retail media continues to mature, advertisers are increasingly demanding omnichannel solutions that better reflect how consumers shop: researching online, then purchasing in-store. However, executing retail media campaigns across online, offline, and in-store channels today typically involves separate vendor management, fragmented planning processes, and siloed reporting. This partnership sets out to change that by integrating Mirakl Ads’ retail media solution for eCommerce and digital marketplaces with Broadsign’s in-store media platform.

For Mirakl’s Retail customers, leveraging the integration will ensure a unified buying experience for their advertisers: one campaign brief and one point of contact, covering both e-commerce placements and in-store digital screens. The partnership opens a new path to monetizing physical in-store assets alongside existing online inventory. It unlocks incremental revenue while giving advertisers omnichannel reach. 

As the two companies build the integration, retailer control will be central: Mirakl Ads will power the retail media network, while the Broadsign Platform manages the technical delivery of in-store content. Retailers retain full ownership of their data, shopper experience, inventory, and pricing decisions, while maintaining the flexibility to build on existing technology investments. Advertisers benefit from a consolidated view of campaign performance across online and in-store channels, so every dollar spent can be measured, compared, and optimized across the full shopper journey. 

“Retail media has evolved rapidly, but online, offline, and in-store are often still treated as separate channels, leading to missed opportunities and revenue,” said Mats Klevjer, Director of Partnerships for Retail Media, Broadsign. “Our work with Mirakl Ads on this integration breaks down those barriers, helping retailers give advertisers the ability to transact on in-store screens with the same ease and performance metrics they expect of digital campaigns.”

“Retailers are asking for solutions that maximize the value of every customer touchpoint, both digital and physical,” said Octavie Gosselin, Vice President of Mirakl Ads. “By partnering with Broadsign, we are setting out to build a truly unified omnichannel retail media platform. Brands will be able to benefit from a single campaign brief covering both their online and in-store presence, and the opportunity ahead, for retailers, advertisers, and the broader ecosystem, is significant.”

Both companies are actively bringing this omnichannel vision to life, with phased capabilities expected to expand. The integration is anticipated to launch in Q3, with beta testing already underway. 

About Broadsign

Broadsign develops the leading global platform for managing and monetizing out-of-home (OOH) media. The company, which also operates Place Exchange by Broadsign, the largest independent SSP for Digital OOH, empowers media owners, media buyers, and retailers to harness the power and reach of out-of-home to connect with audiences in ways unlike any other advertising channel. More than 2.8 million static and digital signs along roadways and in airports, shopping malls, grocery and convenience stores, health clinics, transit systems, and more run on Broadsign.

About Mirakl

Founded in 2012, Mirakl has been at the forefront of marketplace innovation, empowering every business to compete in the platform economy.

Today, Mirakl’s operating system combines an enterprise marketplace solution (Mirakl Platform) that enables retailers and B2B organizations to launch, scale, and operate marketplaces and dropship, AI-powered multichannel selling (Mirakl Connect), retail media (Mirakl Ads) and an agentic commerce infrastructure (Mirakl Nexus).

With dual headquarters in Boston and Paris, Mirakl helps a global ecosystem of 450+ marketplaces (B2C and B2B) and a network of over 100k third-party marketplace sellers. Brands like Macy’s, Decathlon, Carrefour, Asos, and Airbus Helicopters use Mirakl to grow their businesses in new and remarkable ways. Contact: press@mirakl.com 

Product News | October 11, 2021

From brief to activation: Inside the first fully agentic AI-powered OOH campaign

Out-of-home advertising has long been one of the strongest value propositions in the media mix. While programmatic has completely transformed how digital OOH inventory is bought and sold — bringing it on par with other digital channels — direct sales of OOH inventory still require significant manual effort. From developing media plans and evaluating inventory options to negotiating pricing, trafficking creatives, executing buys, and managing reporting and invoicing, the process can be very time-consuming, especially when campaigns involve multiple venue categories, inventory types, and publishers across the highly fragmented OOH landscape.   

But that process just got a lot faster.

Broadsign’s sell-side AI agent and digital marketing agency Draft Digital’s buy-side agent recently enabled the first end-to-end OOH media buy, transforming what would otherwise have been a complex operational effort into a seamless, rapid, and efficient experience. The campaign was for Lot of Happiness and ran on Global Netherlands premium inventory. It marked the first time an OOH media buy has been powered by agentic AI from beginning to end, using the brand’s campaign goals to inform audience and venue targeting, media selection, campaign setup, and execution. Together, the buy-side and sell-side agents coordinated complex tasks across parties, with human oversight and guardrails in place to ensure alignment with campaign objectives and compliance with local regulations and restrictions. 

Read on to learn more about how the process unfolded — and what it means for the future of OOH.

Meet the campaign that made history

Lot of Happiness is a purpose-driven lottery based in the Netherlands with a straightforward premise: every ticket purchase benefits a cause chosen by the buyer, with roughly 50% of every sale going directly to charities like Make-A-Wish Nederland and the ALS Foundation Netherlands. As a growing organization without the deep media budgets of commercial lottery players, Lot of Happiness has built its growth strategy around operational creativity and innovation rather than outspending competitors. That orientation made them a natural early mover on this kind of experiment.

The campaign ran with a “Win-Win” message — rooted in the idea that every ticket purchase supports a charitable cause while giving participants the chance to win prizes. — delivering more than 830,000 impressions across screens inside supermarkets, shopping malls, gas stations, and on city streets throughout the Netherlands. 

But as compelling as their social mission is, it’s not the creative that made this execution notable. It’s how the buy happened. 

What typically required days to weeks of email-based coordination moved from brief to booked plan — with human approval — in less than 15 minutes. To understand how this came about, it’s worth taking a closer look at the agentic solutions involved and what they did. 

A media plan built in minutes

On our end, we built a new sell-side AI agent layer on top of the existing infrastructure for Broadsign In-Advance — an automated booking capability that allows advertisers to reserve guaranteed DOOH ad space months in advance. The sell-side agent acted as an automated query and negotiation layer: when Draft Digital submitted the Lot of Happiness campaign brief through their buy-side agent, our agent returned available inventory from our In-Advance-enabled ecosystem of media owners that matched the campaign’s targeting criteria. 

On the buy side, Draft Digital used Claude.ai to build the campaign brief and drive the planning process, translating campaign goals into targeting criteria, querying Broadsign’s available inventory, and generating a media plan for the buyer to review and approve.

Once the buyer reviewed and approved the plan, the booking was activated through Broadsign’s Place Exchange SSP and delivered programmatically on Global Netherlands’ screens.

The Ad Context Protocol (AdCP) — an emerging open standard for enabling AI agents to communicate across the advertising supply chain — served as the connective tissue, providing a standardized way for the two agents to communicate across organizational boundaries. 

Human review remained part of the process at key stages. On the agency side, that review followed what Jasmijn Kruis, Digital Marketing Consultant at Draft Digital, calls the “four-eye principle”: the buyer checks the plan, and then a second person checks the buyer’s work. “You don’t want an extra zero showing up where it’s not supposed to,” she explains. Creative was submitted through the standard approval workflow, ensuring compliance requirements remained fully intact throughout. 

Crucially, agentic AI in media buying isn’t about removing human judgment; it’s about drastically reducing the manual labour surrounding it.

Why OOH is a natural fit for agentic AI

The case for agentic AI in OOH is, in many ways, even stronger than in other channels. As a context-driven medium, OOH is rich in data that goes beyond the audience, the creative, and the screen. Success depends on understanding how a brand’s message connects to a particular audience in a particular place at a particular time. With hundreds of thousands of campaigns to learn from, AI can help surface those patterns and apply them at scale. 

“Overlaying AI atop our global static and digital OOH supply, together with advanced data and execution capabilities — such as screen-level audience indexes, dynamic creative, and guaranteed in-advance buying — opens the door to new possibilities for OOH planning and activation,” explains Broadsign CTO Bryan Mongeau. “This innovative collaboration is only the beginning.”

For Global Netherlands, what stood out about the collaboration was the sum of its parts: no single party could have done this alone. “By combining Broadsign’s infrastructure with buy-side intelligence, Draft Digital’s ambition, and our diverse digital out-of-home offering, we’ve shown how AI-driven planning can enhance the speed, precision, and flexibility of direct buys, mirroring the benefits of programmatic OOH,” says Mink Zwolsman, Business Development Director at Global Netherlands. “For us, this is a meaningful step toward making our inventory even more accessible to buyers who want seamless, omnichannel campaigns.”

The Lot of Happiness buy illustrates what that looks like in practice. Because the campaign ran alongside the client’s first television buy, Draft Digital designed the OOH targeting to synchronize with TV viewership patterns and reinforce the messaging — placing ads in areas with high concentrations of TV-viewing audiences, timed to appear before broadcast slots so viewers would see the OOH ads before seeing them on the living room screen. “We tested different types of pacing to see how the system would react,” explains Kruis, “and because we were also running on TV, we wanted the OOH ads to appear in areas with high concentrations of TV-watching audiences — at times before they would watch — so there would be a connection.” 

That kind of multi-variable precision — layering viewership patterns, proximity patterns, and time-based targeting across an entire country — is exactly the kind of planning at which agentic AI excels. What would take a human planner days of data aggregation and analysis was built into the brief and surfaced instantaneously.

Getting ahead of the shift

This campaign was a first, but it won’t be the last. Whether you’re on the buy side or the sell side, agentic AI is going to transform OOH — here’s what to expect and how to embrace that shift.

If you’re an agency or media buyer

  • Follow the audience. OOH is traditionally bought by selecting locations, but locations are really just proxies for the audiences that advertisers want to reach. AI-driven plans can select the inventory that indexes highest against a target audience, choosing from all available options — including niche placements and underutilized formats that humans may miss when trying to limit the buy to a few networks to reduce complexity. AI can handle the complexity and surface the best options to reach any desired audience.
  • Embrace contextual targeting. Whether it’s a billboard during the morning commute, a screen at the grocery checkout, an office building elevator screen during lunchtime, or a TV behind the bar on gameday, the power of OOH lies in context: delivering a message in a particular place at a particular time. Connecting audiences to locations and times can be a labour-intensive process, but with the right data inputs, AI can make those connections quickly and help ensure the right context for every impression. 
  • Elevate from task execution to strategic orchestration. AI agents can absorb the burden of low-level tasks, freeing up humans to focus on the end-to-end process — ensuring brief quality, defining campaign objectives, directing creative, designing learning agendas, and gleaning campaign insights.

If you’re a media owner or publisher

  • Expect a broader pool of buyers. AI will expose your inventory to a larger pool of demand, creating opportunities for more revenue — but it also means publishers will need to meet that demand with intelligent inventory allocation and yield optimization, as well as capabilities like competitive separation and timely advertiser and creative approvals. AI tools can help with all of the above.
  • Improve discoverability. Buy-side agents evaluate inventory against a wide variety of criteria — including location, screen characteristics, supported ad formats, venue type, and screen-level audience indexing. The more comprehensive and accurate your screen-level data, the more likely your inventory is to be surfaced as a potential match when those criteria align.
  • Maintain human oversight and control. AI will make buying and selling media smarter, faster, and more effective, but publishers remain in control. Identify the key decision points in your sales engine — pricing, approvals, restrictions — and define the processes, guardrails, monitoring, and reporting that ensure everything operates within your business parameters.

Whether you’re on the buy side or the sell side, success will depend on choosing the right partners who understand your goals and can help design and implement solutions that fit your needs.

What comes next

Broadsign powers close to three million static and digital signs globally — including the largest single source of programmatically enabled OOH supply in the world. While this pilot focused on Broadsign In-Advance-enabled inventory, the next phase will extend to all programmatically enabled screens. Our mission is to bring innovative technology to media owners to help them power their business — and agentic AI is the next chapter in that story. 

Global OOH ad spend reached $37.18 billion in 2025 and is expected to reach $56.1 billion by 2030, driven in large part by digitization, programmatic maturation, and a growing appetite for real-world presence amid continued screen fatigue. As buying workflows continue to evolve, AI will give OOH media owners the opportunity to ensure their inventory is positioned for the next evolution of media planning and activation.

The question is no longer whether agentic workflows will play a role in media buying, but how quickly the industry will adapt to capitalize on the opportunity. Here at Broadsign, we’re already working with OOH media owners to help them prepare for what comes next.

Media owners interested in making their inventory discoverable to agentic buyers can reach out to Broadsign to explore what’s possible.

Product News | October 11, 2021

DOOH specs guide: What media buyers and planners need to know before launching a campaign

Digital out-of-home (DOOH) specs follow different rules from other digital formats — and buyers who don’t know where those differences lie tend to find out the hard way, through rejected files, stalled approvals, and delayed campaign delivery.

Whether you’re setting up a digital OOH campaign for the first time or a seasoned pro troubleshooting an approval issue, this guide covers the key creative specs you need to know to create a DOOH campaign that gets results: common display and video dimensions, accepted file types and technical requirements, and other digital OOH specs best practices and considerations before trafficking. 

Working closely with our global network of media owners and publisher partners, we’ve gained first-hand insight into what they actually require from incoming DOOH creative — and the specs and requirements in this guide reflect those real-world standards. Consider this your cheat sheet for getting your campaign approved for launch the first time.

Jump to:

Why DOOH specs differ from other digital ad formats

Digital OOH operates within a closed-screen ecosystem, where media owners approve every creative before it runs on their screens. As a result, DOOH has technical requirements that don’t exist in web-based environments.

Unlike web or social advertising, DOOH doesn’t rely on open exchanges where compliant creatives run automatically without publisher review. Even when digital OOH campaigns are bought programmatically through oRTB (Open Real-Time Bidding), every creative still requires publisher approval. That process ultimately dictates accepted file types, restricted tags, and how creative rotation is managed.

The practical implication: getting DOOH specs wrong isn’t just a technical inconvenience. It triggers a revision-and-resubmission loop that stalls the approval process and delays campaign delivery. Understanding why each requirement exists makes it easier to build a compliant creative workflow from the start, rather than reverse-engineering the rules after something breaks.

READ ALSO: Best practices for high-impact OOH creative that gets noticed

Common DOOH creative dimensions and screen formats

DOOH inventory spans a wide range of placements and screen types — from large-format digital billboards to transit venue displays to in-store retail screens — and each environment comes with its own standard dimensions. Across digital OOH inventory, landscape (1920×1080 px) and portrait (1080×1920 px) are among the most widely supported formats. Building creative for both orientations is recommended wherever possible, since limiting to one orientation limits access to available inventory. 

The key creative specs below represent some of the most frequently used creative sizes. While there may be notable exceptions for certain inventory types, these formats provide broad compatibility across venue categories, including Entertainment, Health and Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, Billboards, Taxi Tops, and more.

Use these dimensions as a practical baseline. They cover some of the most common aspect ratios and give your team a clear starting point for placement-specific adjustments.

Static (display) creative: Common formats

FormatAspect ratioDimensionsCommon venue categories
Landscape
(widescreen)
16:91920 × 1080 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Portrait9:161080 × 1920 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Horizontal banner7:2 or 21:101400 × 400 px or 840 × 400 pxBillboards, Taxi Tops, Transit

Video creative: Common formats

FormatAspect ratioDimensionsCommon venue categories
Landscape (widescreen)16:91920 × 1080 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Portrait9:161080 × 1920 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Horizontal frame4:31280 × 960 pxEntertainment, Point of Care, Retail, Transit, and more

Per the Out of Home Advertising Association of America (OAAA) creative guidelines, common DOOH video lengths include 8, 10, 15, or 30 seconds — making 15 seconds a safe, widely supported default for broad inventory compatibility. 

Build with the final screen placement in mind. Creative that isn’t sized to the screen’s native resolution may appear cropped, letterboxed, or distorted — all of which can trigger rejection during the publisher approval process.

Creative and inventory exceptions

If your campaign includes any of the following, confirm whether additional requirements apply before building your creative:

  • Spectaculars: Specs vary by screen 
  • Airport media: Select airport screens require non-standard creative sizes. Video durations are also typically 10 seconds rather than 15 seconds
  • Sensitive content categories: Creatives featuring alcohol, cannabis, or political messaging may be subject to additional restrictions that vary by market, venue type, and media owner

For more creative build guidelines and campaign-building tips to simplify the entire DOOH process, check out our Best Practices Guide: How to create DOOH campaigns that get results.

Digital OOH media specs: File types and other technical requirements

DOOH supports three creative types — static display (JPG/PNG), video (MP4), and dynamic/DCO creative (HTML5, where publisher support is available).

Accepted creative file formats

  • Static Display: Accepted formats include JPG and PNG. Technical requirements include 72 ppi standard resolution and RGB colour mode
  • Video: Accepted format includes MP4. Technical requirements include an even-numbered pixel resolution, a bit rate below 5,000 kbps, and a standard frame rate of 30 fps
  • Dynamic/DCO: Accepted format includes HTML5. Technical requirements vary by publisher and should be confirmed before trafficking. Additional pre-approval from the media owner is typically required

Build all files in RGB and keep file sizes within the network’s recommended limits. Oversized files are a common cause of playback issues on bandwidth-limited screens — and unlike web ads, DOOH playback failures are visible to everyone nearby. File size requirements vary by publisher, so confirm specifications with your representative.

HTML5 and dynamic creative (DCO)

HTML5 is the standard format for dynamic DOOH creative — enabling real-time data feeds, weather-triggered messaging, countdown timers, and dynamic creative optimization (DCO). If the goal is creative that updates based on external conditions rather than looping a fixed file, HTML5 is how that’s built and trafficked in DOOH.

Ready to launch a high-impact, creative out-of-home campaign that delivers results? Browse our inventory catalog to see the complete network of high-impact digital screens available.