Product News | October 11, 2021

4 post-COVID-19 retail DOOH trends to watch

Illustrating a curbside pickup offering at a retail location

The world is opening back up, but it is not going back to the way things were. Changes made over the course of the COVID-19 pandemic are expected to stick around, including in the world of retail. New conveniences and preferences may be too appealing or important to let slip away.

This new dynamic in retail will carry a number of important implications for DOOH operators and their retail partners. To maximize success in the years ahead, a few changes may need to be made.

Curbside pickup is here to stay, and DOOH should be there too

Curbside pickup has been around for years. Originally, it was deployed as part of a push towards “buy-online, pickup in-store” (BOPIS) services by retailers looking to compete with the convenience of online-only shopping.

But it’s during the pandemic that curbside really took off. A McKinsey survey of Canadian consumer sentiment showed that 18% of respondents had tried curbside pickup for the first time during the pandemic, with a further 11% continuing prior use throughout.

It’s likely to continue. For one thing, it’s likely to take some time before we fully recover from life under COVID-19. For another, there are indications that consumers will continue to prioritize hygiene and cleanliness even after the pandemic’s end. Both suggest that options to shop hands-off will remain in demand for some time.

This will require some strategic rethinking of how to communicate with customers. Indoor point-of-purchase displays, after all, will not be suitable for providing messaging for an increasing cohort of customers who choose to remain in their cars. Depending on the manner in which curbside pickup is managed at a store, even the common approach of placing digital displays near the entrance to a retailer may not suffice.

Addressing this new reality could be a great opportunity. Curbside pickup, like other BOPIS offerings, is not faster than regular in-store shopping. Buyers who go this route, whatever their reasons for doing so, will be sitting in their vehicles, waiting. Deploying larger displays that are visible from a larger portion of the parking lot, or several smaller DOOH displays distributed throughout a parking lot, could be valuable for reaching this audience while they have nothing else to do.

Screens like this one employed by MMD Media’s gas stations could help reach customers in parking lots

And for better odds of capturing these people’s attention, media owners should ensure that their selected DOOH platform offers the ability to display dynamically changing content and messaging. This can allow advertisers to deliver different creative based on external triggers, like weather. It can also allow for advertising to display up-to-the-minute information of interest – traffic, weather, news, etc – alongside advertising.

Having these kinds of dynamic content playing around the pickup area will help the screens deliver messaging that better meet the needs and interests of consumers. This will maximize the value for the retailer, the consumer, and the advertiser all at once.

Shift to value-for-money bodes well for relevant DOOH messaging

As you might expect of the economic downturn caused by the pandemic, consumers are demonstrating increased value consciousness in their buying decisions.This will demand that brands change tactics in order to appeal to a different buying mindset, but it also presents an interesting opportunity for media owners with DOOH assets in and around retail environments.

Network owners can use DOOH installations positioned in and around shopping centres, malls, and other retail environments to promote sale items, special promotions, and other kinds of value-focused offerings related to nearby businesses. It’s an easy way to connect buyers with products they want at prices they like, and a good opportunity to leverage the contextual power of location-based DOOH.

Example: See how Starlite Media connects brands with buyers on location via shopping centre DOOH

Even better, the power of the sale-assisted impulse buy extends beyond just people walking into stores to start their shopping. A survey by Doddle (via Retail Dive) found that 85% of people who go to a store to pick up an online order will make additional purchases while there.

This means that displaying compelling sales content on displays positioned near the entrance to a location, just inside the entrance, or even in parking lots (to appeal to the aforementioned curbside crowd) could go a long way towards generating additional revenue from all kinds of shoppers. There’s stronger immediate appeal in seeing an ad for products purchasable on location, after all, than in seeing an ad for something you would need to purchase later on.

Touchscreens won’t go away, but the way they’re used needs to evolve

We’re big fans of interactive digital signage as a method of delivering ad-supported content and tools to audiences. Interactivity just drives more eye-catching experiences, which is exactly what media buyers and network owners alike want to achieve.

Touch, of course, is the primary type of interactivity deployed across many digital signage installations, and it had its share of detraction even before COVID. Cleanliness has long been a concern, especially after notable stories of harmful bacteria found to be prevalent on touchscreen kiosks. Thanks to COVID, there’s more attention than ever being paid to what we all touch, how clean those things are, and how we can improve hygiene in a bid to stop the spread of harmful bugs.

Because of COVID-19, touchscreen kiosks are under increased scrutiny

With all of this said, there’s nothing to suggest that touchscreen interactivity will disappear anytime soon. Now that virtually everyone on the planet has a touchscreen in their pockets at all times, touch has become our default method of interaction, and it’s something more people expect to be able to do with public displays. What’s more, the fact that viruses like COVID-19 tend to spread during interaction with others means that interacting with touchscreens can actually be preferable to many people who would rather avoid speaking to a stranger.

Early data from Perch Interactive seem to back this up, suggesting that engagement with public-facing touchscreens had already rebounded to better-than-pre-COVID levels by late June.

Perch Interactive

Since touch is unlikely to disappear, the priority becomes finding ways to make the touch experience safer or more palatable to the audience. Simple measures, like offering touchless access to hand sanitizer next to screens, or wipes to clean the display before use, can go a long way to increasing user confidence.

It’s also worth considering changing the manner in which users are expected to interact with a touchscreen. Providing a QR code to send on-screen information to a user’s mobile browser can help limit the amount of time users are expected to interact with a screen to get the info they need. This might draw more users to engage with the screen in the first place, and make a habit of turning to interactive displays for timely and relevant information they can take on the go.

There are many ways to improve on the touch experience, and media owners would do well to explore the various options and see which ones can be incorporated across their networks. It will likely prove a worthwhile use of time.

It will pay off to reconsider the ways people should engage with touchscreens

Additional forms of interactivity are maturing and can help reach more customers

Alternatives to touch interactivity have emerged as increasingly viable options in the past few years. While they may not serve as total replacements for touchscreens, they may be beneficial as options for retail establishments wanting to err on the side of caution, or as a tool for engaging with a cohort of customers who are now reluctant to engage with public touchscreens.

Hand tracking and mid-air haptics technology from companies like Ultraleap, or voice-controlled interaction (another technology seeing huge increases in popularity thanks to mobile) seem to be strong early contenders for touch alternatives in retail DOOH.

It’s important to note, of course, that these options are not perfect replacements. Mid-air gesture control just isn’t quite as mainstream as tapping on a screen. Voice control is notoriously imprecise in noisy environments, and can struggle particularly in correctly registering the words spoken by women, racial minorities, and people speaking with different accents or in different dialects. In other words, it’s a difficult thing to get right in a retail environment with diverse consumers.

Voice activation isn’t perfect in controlled environments, and will likely struggle in busy retail locations

Still, incremental improvements are to be expected with these technologies, and deploying one, two, or several different types of interactivity will likely help appeal to a wider range of customers and provide redundancies in instances where a given option is either unpalatable or non-viable.

For media owners with the means, offering multiple options for interaction may prove best in coming out a winner on the other side of the pandemic. In order to successfully take this approach, however, it will be necessary to carefully consider the digital signage platform underpinning the supported functionality. The right choice should help streamline content delivery, integrate easily with all the technologies you want to use, and allow you to leverage your solutions at whatever scale you need, now and in the future.

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Product News | October 11, 2021

Broadsign and Mirakl Ads Announce Strategic Partnership to Unify Online and In-Store Retail Media

Cannes, France – June 24, 2026 — At the 73rd Cannes Lions International Festival of Creativity, Mirakl, the Operating System for Intelligent Commerce, and Broadsign, the leading global platform for managing and monetising out-of-home (OOH) media, today announced a strategic partnership that bridges the gap between digital retail media channels and in-store advertising. The collaboration will enable more retailers and brands to activate, manage, and measure campaigns across the entire shopper journey through a single platform.

As retail media continues to mature, advertisers are increasingly demanding omnichannel solutions that better reflect how consumers shop: researching online, then purchasing in-store. However, executing retail media campaigns across online, offline, and in-store channels today typically involves separate vendor management, fragmented planning processes, and siloed reporting. This partnership sets out to change that by integrating Mirakl Ads’ retail media solution for eCommerce and digital marketplaces with Broadsign’s in-store media platform.

For Mirakl’s Retail customers, leveraging the integration will ensure a unified buying experience for their advertisers: one campaign brief and one point of contact, covering both e-commerce placements and in-store digital screens. The partnership opens a new path to monetizing physical in-store assets alongside existing online inventory. It unlocks incremental revenue while giving advertisers omnichannel reach. 

As the two companies build the integration, retailer control will be central: Mirakl Ads will power the retail media network, while the Broadsign Platform manages the technical delivery of in-store content. Retailers retain full ownership of their data, shopper experience, inventory, and pricing decisions, while maintaining the flexibility to build on existing technology investments. Advertisers benefit from a consolidated view of campaign performance across online and in-store channels, so every dollar spent can be measured, compared, and optimized across the full shopper journey. 

“Retail media has evolved rapidly, but online, offline, and in-store are often still treated as separate channels, leading to missed opportunities and revenue,” said Mats Klevjer, Director of Partnerships for Retail Media, Broadsign. “Our work with Mirakl Ads on this integration breaks down those barriers, helping retailers give advertisers the ability to transact on in-store screens with the same ease and performance metrics they expect of digital campaigns.”

“Retailers are asking for solutions that maximize the value of every customer touchpoint, both digital and physical,” said Octavie Gosselin, Vice President of Mirakl Ads. “By partnering with Broadsign, we are setting out to build a truly unified omnichannel retail media platform. Brands will be able to benefit from a single campaign brief covering both their online and in-store presence, and the opportunity ahead, for retailers, advertisers, and the broader ecosystem, is significant.”

Both companies are actively bringing this omnichannel vision to life, with phased capabilities expected to expand. The integration is anticipated to launch in Q3, with beta testing already underway. 

About Broadsign

Broadsign develops the leading global platform for managing and monetizing out-of-home (OOH) media. The company, which also operates Place Exchange by Broadsign, the largest independent SSP for Digital OOH, empowers media owners, media buyers, and retailers to harness the power and reach of out-of-home to connect with audiences in ways unlike any other advertising channel. More than 2.8 million static and digital signs along roadways and in airports, shopping malls, grocery and convenience stores, health clinics, transit systems, and more run on Broadsign.

About Mirakl

Founded in 2012, Mirakl has been at the forefront of marketplace innovation, empowering every business to compete in the platform economy.

Today, Mirakl’s operating system combines an enterprise marketplace solution (Mirakl Platform) that enables retailers and B2B organizations to launch, scale, and operate marketplaces and dropship, AI-powered multichannel selling (Mirakl Connect), retail media (Mirakl Ads) and an agentic commerce infrastructure (Mirakl Nexus).

With dual headquarters in Boston and Paris, Mirakl helps a global ecosystem of 450+ marketplaces (B2C and B2B) and a network of over 100k third-party marketplace sellers. Brands like Macy’s, Decathlon, Carrefour, Asos, and Airbus Helicopters use Mirakl to grow their businesses in new and remarkable ways. Contact: press@mirakl.com 

Product News | October 11, 2021

From brief to activation: Inside the first fully agentic AI-powered OOH campaign

Out-of-home advertising has long been one of the strongest value propositions in the media mix. While programmatic has completely transformed how digital OOH inventory is bought and sold — bringing it on par with other digital channels — direct sales of OOH inventory still require significant manual effort. From developing media plans and evaluating inventory options to negotiating pricing, trafficking creatives, executing buys, and managing reporting and invoicing, the process can be very time-consuming, especially when campaigns involve multiple venue categories, inventory types, and publishers across the highly fragmented OOH landscape.   

But that process just got a lot faster.

Broadsign’s sell-side AI agent and digital marketing agency Draft Digital’s buy-side agent recently enabled the first end-to-end OOH media buy, transforming what would otherwise have been a complex operational effort into a seamless, rapid, and efficient experience. The campaign was for Lot of Happiness and ran on Global Netherlands premium inventory. It marked the first time an OOH media buy has been powered by agentic AI from beginning to end, using the brand’s campaign goals to inform audience and venue targeting, media selection, campaign setup, and execution. Together, the buy-side and sell-side agents coordinated complex tasks across parties, with human oversight and guardrails in place to ensure alignment with campaign objectives and compliance with local regulations and restrictions. 

Read on to learn more about how the process unfolded — and what it means for the future of OOH.

Meet the campaign that made history

Lot of Happiness is a purpose-driven lottery based in the Netherlands with a straightforward premise: every ticket purchase benefits a cause chosen by the buyer, with roughly 50% of every sale going directly to charities like Make-A-Wish Nederland and the ALS Foundation Netherlands. As a growing organization without the deep media budgets of commercial lottery players, Lot of Happiness has built its growth strategy around operational creativity and innovation rather than outspending competitors. That orientation made them a natural early mover on this kind of experiment.

The campaign ran with a “Win-Win” message — rooted in the idea that every ticket purchase supports a charitable cause while giving participants the chance to win prizes. — delivering more than 830,000 impressions across screens inside supermarkets, shopping malls, gas stations, and on city streets throughout the Netherlands. 

But as compelling as their social mission is, it’s not the creative that made this execution notable. It’s how the buy happened. 

What typically required days to weeks of email-based coordination moved from brief to booked plan — with human approval — in less than 15 minutes. To understand how this came about, it’s worth taking a closer look at the agentic solutions involved and what they did. 

A media plan built in minutes

On our end, we built a new sell-side AI agent layer on top of the existing infrastructure for Broadsign In-Advance — an automated booking capability that allows advertisers to reserve guaranteed DOOH ad space months in advance. The sell-side agent acted as an automated query and negotiation layer: when Draft Digital submitted the Lot of Happiness campaign brief through their buy-side agent, our agent returned available inventory from our In-Advance-enabled ecosystem of media owners that matched the campaign’s targeting criteria. 

On the buy side, Draft Digital used Claude.ai to build the campaign brief and drive the planning process, translating campaign goals into targeting criteria, querying Broadsign’s available inventory, and generating a media plan for the buyer to review and approve.

Once the buyer reviewed and approved the plan, the booking was activated through Broadsign’s Place Exchange SSP and delivered programmatically on Global Netherlands’ screens.

The Ad Context Protocol (AdCP) — an emerging open standard for enabling AI agents to communicate across the advertising supply chain — served as the connective tissue, providing a standardized way for the two agents to communicate across organizational boundaries. 

Human review remained part of the process at key stages. On the agency side, that review followed what Jasmijn Kruis, Digital Marketing Consultant at Draft Digital, calls the “four-eye principle”: the buyer checks the plan, and then a second person checks the buyer’s work. “You don’t want an extra zero showing up where it’s not supposed to,” she explains. Creative was submitted through the standard approval workflow, ensuring compliance requirements remained fully intact throughout. 

Crucially, agentic AI in media buying isn’t about removing human judgment; it’s about drastically reducing the manual labour surrounding it.

Why OOH is a natural fit for agentic AI

The case for agentic AI in OOH is, in many ways, even stronger than in other channels. As a context-driven medium, OOH is rich in data that goes beyond the audience, the creative, and the screen. Success depends on understanding how a brand’s message connects to a particular audience in a particular place at a particular time. With hundreds of thousands of campaigns to learn from, AI can help surface those patterns and apply them at scale. 

“Overlaying AI atop our global static and digital OOH supply, together with advanced data and execution capabilities — such as screen-level audience indexes, dynamic creative, and guaranteed in-advance buying — opens the door to new possibilities for OOH planning and activation,” explains Broadsign CTO Bryan Mongeau. “This innovative collaboration is only the beginning.”

For Global Netherlands, what stood out about the collaboration was the sum of its parts: no single party could have done this alone. “By combining Broadsign’s infrastructure with buy-side intelligence, Draft Digital’s ambition, and our diverse digital out-of-home offering, we’ve shown how AI-driven planning can enhance the speed, precision, and flexibility of direct buys, mirroring the benefits of programmatic OOH,” says Mink Zwolsman, Business Development Director at Global Netherlands. “For us, this is a meaningful step toward making our inventory even more accessible to buyers who want seamless, omnichannel campaigns.”

The Lot of Happiness buy illustrates what that looks like in practice. Because the campaign ran alongside the client’s first television buy, Draft Digital designed the OOH targeting to synchronize with TV viewership patterns and reinforce the messaging — placing ads in areas with high concentrations of TV-viewing audiences, timed to appear before broadcast slots so viewers would see the OOH ads before seeing them on the living room screen. “We tested different types of pacing to see how the system would react,” explains Kruis, “and because we were also running on TV, we wanted the OOH ads to appear in areas with high concentrations of TV-watching audiences — at times before they would watch — so there would be a connection.” 

That kind of multi-variable precision — layering viewership patterns, proximity patterns, and time-based targeting across an entire country — is exactly the kind of planning at which agentic AI excels. What would take a human planner days of data aggregation and analysis was built into the brief and surfaced instantaneously.

Getting ahead of the shift

This campaign was a first, but it won’t be the last. Whether you’re on the buy side or the sell side, agentic AI is going to transform OOH — here’s what to expect and how to embrace that shift.

If you’re an agency or media buyer

  • Follow the audience. OOH is traditionally bought by selecting locations, but locations are really just proxies for the audiences that advertisers want to reach. AI-driven plans can select the inventory that indexes highest against a target audience, choosing from all available options — including niche placements and underutilized formats that humans may miss when trying to limit the buy to a few networks to reduce complexity. AI can handle the complexity and surface the best options to reach any desired audience.
  • Embrace contextual targeting. Whether it’s a billboard during the morning commute, a screen at the grocery checkout, an office building elevator screen during lunchtime, or a TV behind the bar on gameday, the power of OOH lies in context: delivering a message in a particular place at a particular time. Connecting audiences to locations and times can be a labour-intensive process, but with the right data inputs, AI can make those connections quickly and help ensure the right context for every impression. 
  • Elevate from task execution to strategic orchestration. AI agents can absorb the burden of low-level tasks, freeing up humans to focus on the end-to-end process — ensuring brief quality, defining campaign objectives, directing creative, designing learning agendas, and gleaning campaign insights.

If you’re a media owner or publisher

  • Expect a broader pool of buyers. AI will expose your inventory to a larger pool of demand, creating opportunities for more revenue — but it also means publishers will need to meet that demand with intelligent inventory allocation and yield optimization, as well as capabilities like competitive separation and timely advertiser and creative approvals. AI tools can help with all of the above.
  • Improve discoverability. Buy-side agents evaluate inventory against a wide variety of criteria — including location, screen characteristics, supported ad formats, venue type, and screen-level audience indexing. The more comprehensive and accurate your screen-level data, the more likely your inventory is to be surfaced as a potential match when those criteria align.
  • Maintain human oversight and control. AI will make buying and selling media smarter, faster, and more effective, but publishers remain in control. Identify the key decision points in your sales engine — pricing, approvals, restrictions — and define the processes, guardrails, monitoring, and reporting that ensure everything operates within your business parameters.

Whether you’re on the buy side or the sell side, success will depend on choosing the right partners who understand your goals and can help design and implement solutions that fit your needs.

What comes next

Broadsign powers close to three million static and digital signs globally — including the largest single source of programmatically enabled OOH supply in the world. While this pilot focused on Broadsign In-Advance-enabled inventory, the next phase will extend to all programmatically enabled screens. Our mission is to bring innovative technology to media owners to help them power their business — and agentic AI is the next chapter in that story. 

Global OOH ad spend reached $37.18 billion in 2025 and is expected to reach $56.1 billion by 2030, driven in large part by digitization, programmatic maturation, and a growing appetite for real-world presence amid continued screen fatigue. As buying workflows continue to evolve, AI will give OOH media owners the opportunity to ensure their inventory is positioned for the next evolution of media planning and activation.

The question is no longer whether agentic workflows will play a role in media buying, but how quickly the industry will adapt to capitalize on the opportunity. Here at Broadsign, we’re already working with OOH media owners to help them prepare for what comes next.

Media owners interested in making their inventory discoverable to agentic buyers can reach out to Broadsign to explore what’s possible.

Product News | October 11, 2021

DOOH specs guide: What media buyers and planners need to know before launching a campaign

Digital out-of-home (DOOH) specs follow different rules from other digital formats — and buyers who don’t know where those differences lie tend to find out the hard way, through rejected files, stalled approvals, and delayed campaign delivery.

Whether you’re setting up a digital OOH campaign for the first time or a seasoned pro troubleshooting an approval issue, this guide covers the key creative specs you need to know to create a DOOH campaign that gets results: common display and video dimensions, accepted file types and technical requirements, and other digital OOH specs best practices and considerations before trafficking. 

Working closely with our global network of media owners and publisher partners, we’ve gained first-hand insight into what they actually require from incoming DOOH creative — and the specs and requirements in this guide reflect those real-world standards. Consider this your cheat sheet for getting your campaign approved for launch the first time.

Jump to:

Why DOOH specs differ from other digital ad formats

Digital OOH operates within a closed-screen ecosystem, where media owners approve every creative before it runs on their screens. As a result, DOOH has technical requirements that don’t exist in web-based environments.

Unlike web or social advertising, DOOH doesn’t rely on open exchanges where compliant creatives run automatically without publisher review. Even when digital OOH campaigns are bought programmatically through oRTB (Open Real-Time Bidding), every creative still requires publisher approval. That process ultimately dictates accepted file types, restricted tags, and how creative rotation is managed.

The practical implication: getting DOOH specs wrong isn’t just a technical inconvenience. It triggers a revision-and-resubmission loop that stalls the approval process and delays campaign delivery. Understanding why each requirement exists makes it easier to build a compliant creative workflow from the start, rather than reverse-engineering the rules after something breaks.

READ ALSO: Best practices for high-impact OOH creative that gets noticed

Common DOOH creative dimensions and screen formats

DOOH inventory spans a wide range of placements and screen types — from large-format digital billboards to transit venue displays to in-store retail screens — and each environment comes with its own standard dimensions. Across digital OOH inventory, landscape (1920×1080 px) and portrait (1080×1920 px) are among the most widely supported formats. Building creative for both orientations is recommended wherever possible, since limiting to one orientation limits access to available inventory. 

The key creative specs below represent some of the most frequently used creative sizes. While there may be notable exceptions for certain inventory types, these formats provide broad compatibility across venue categories, including Entertainment, Health and Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, Billboards, Taxi Tops, and more.

Use these dimensions as a practical baseline. They cover some of the most common aspect ratios and give your team a clear starting point for placement-specific adjustments.

Static (display) creative: Common formats

FormatAspect ratioDimensionsCommon venue categories
Landscape
(widescreen)
16:91920 × 1080 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Portrait9:161080 × 1920 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Horizontal banner7:2 or 21:101400 × 400 px or 840 × 400 pxBillboards, Taxi Tops, Transit

Video creative: Common formats

FormatAspect ratioDimensionsCommon venue categories
Landscape (widescreen)16:91920 × 1080 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Portrait9:161080 × 1920 pxEntertainment, Health & Beauty, Movie Theatres, Office Buildings, Point of Care, Residential, Retail, Transit, Urban Panels, and more
Horizontal frame4:31280 × 960 pxEntertainment, Point of Care, Retail, Transit, and more

Per the Out of Home Advertising Association of America (OAAA) creative guidelines, common DOOH video lengths include 8, 10, 15, or 30 seconds — making 15 seconds a safe, widely supported default for broad inventory compatibility. 

Build with the final screen placement in mind. Creative that isn’t sized to the screen’s native resolution may appear cropped, letterboxed, or distorted — all of which can trigger rejection during the publisher approval process.

Creative and inventory exceptions

If your campaign includes any of the following, confirm whether additional requirements apply before building your creative:

  • Spectaculars: Specs vary by screen 
  • Airport media: Select airport screens require non-standard creative sizes. Video durations are also typically 10 seconds rather than 15 seconds
  • Sensitive content categories: Creatives featuring alcohol, cannabis, or political messaging may be subject to additional restrictions that vary by market, venue type, and media owner

For more creative build guidelines and campaign-building tips to simplify the entire DOOH process, check out our Best Practices Guide: How to create DOOH campaigns that get results.

Digital OOH media specs: File types and other technical requirements

DOOH supports three creative types — static display (JPG/PNG), video (MP4), and dynamic/DCO creative (HTML5, where publisher support is available).

Accepted creative file formats

  • Static Display: Accepted formats include JPG and PNG. Technical requirements include 72 ppi standard resolution and RGB colour mode
  • Video: Accepted format includes MP4. Technical requirements include an even-numbered pixel resolution, a bit rate below 5,000 kbps, and a standard frame rate of 30 fps
  • Dynamic/DCO: Accepted format includes HTML5. Technical requirements vary by publisher and should be confirmed before trafficking. Additional pre-approval from the media owner is typically required

Build all files in RGB and keep file sizes within the network’s recommended limits. Oversized files are a common cause of playback issues on bandwidth-limited screens — and unlike web ads, DOOH playback failures are visible to everyone nearby. File size requirements vary by publisher, so confirm specifications with your representative.

HTML5 and dynamic creative (DCO)

HTML5 is the standard format for dynamic DOOH creative — enabling real-time data feeds, weather-triggered messaging, countdown timers, and dynamic creative optimization (DCO). If the goal is creative that updates based on external conditions rather than looping a fixed file, HTML5 is how that’s built and trafficked in DOOH.

Ready to launch a high-impact, creative out-of-home campaign that delivers results? Browse our inventory catalog to see the complete network of high-impact digital screens available.